Celebrating Creativity and Culture: The Santa Fe Indian Market

A ceremonial dance begins at the Plaza along Old Sante Fe Trail. Photo by Jim Schnur.

Note: New Mexico has 19 Pueblos within its state boundaries. As sovereign lands, most areas of these Pueblos have culturally-based restrictions to honor the Native residents and their customs, as well as ensure their privacy and dignity. In many areas, these restrictions include prohibitions on photography, videography, and even the drawing or sketching of locations. Although these restrictions do not apply to public events in Santa Fe, in honor of the artistic and creative works displayed and sold by Indigenous artists, I refrained from close-up images of crafts at the Santa Fe Indian Market.


Crowds strolling along Lincoln Avenue at Santa Fe Plaza. Photo by Jim Schnur. 

Since 1922, Santa Fe has hosted a gathering the celebrates and promotes Native arts, crafts, and culture. Originally conceived as the Southwest Indian Arts Fair and Industrial Arts and Crafts Exposition, this annual event has transformed into the Santa Fe Indian Market that is sponsored by the Southwestern Association for Indian Arts (SWAIA).

Publications that list the vendors who appeared at the gathering. Photo by Jim Schnur.

Despite the "Southwestern" identification in the name, this event had grown into a global platform. What began as a small indoor exhibition sponsored by the Museum of New Mexico has expanded into the largest creative gathering of Indigenous artists on the planet. 

This event now attracts more than 100,000 visitors to Santa Fe for a weekend of artistic displays, crafts for sale, juried events, and public performances. This gathering is the largest and oldest juried Native art market.

Exhibitions covered many of the streets in downtown Santa Fe. Photo by Jim Schnur.

More than 1,000 artists and crafters participated in this event. They represented more than 200 Pueblos and Tribes throughout the United States and Canada. 

The free open-air market that covered the downtown took place on August 16-17, 2025. The theme for 2025 was "Iconic Beginnings, Legacies in Motion." Other events filled a variety of venues throughout the area. These included a Best of Show Ceremony and Fashion Show.

Vendors along the street in front of the New Mexico Museum of Art. Photo by Jim Schnur.

A Diversity of Crafts

A variety of artisans and crafters congregated at the Santa Fe Indian Market. The artistic forms on display included basketry, beadwork, drawings, graphic arts, jewelry, paintings, photography, pottery, quillwork, sculpture, textiles, and wooden carvings.

Native performers chatted with visitors near the Plaza. Photo by Jim Schnur.

In addition to the works available for inspection and purchase, those who visited the Indian Market had an opportunity to see many of the artisans in their regalia.

The dancer on the right has non-traditional artwork on her outfit, including images of hot air balloons and chile peppers. Photo by Jim Schnur.

Some crafters traveled from eastern Canada for this event in Santa Fe. Photo by Jim Schnur.

Protecting Artistic Integrity

Drums have ceremonial significance in many Indigenous communities. Photo by Jim Schnur.

Within the U.S. Department of the Interior the Indian Arts & Crafts Board serves as the governing body that helps ensure that arts and crafts advertised as "Indian made" are indeed created by Indigenous people. This body maintains a source directory of artisans and assists with enforcement efforts under the Indian Arts and Crafts Act of 1990

Vendors, entertainers, and guests crowded every inch of the Plaza. Photo by Jim Schnur.

Under this federal law, items are carefully designated based upon the individuals who created them. Maintaining "truth-in-advertising" is very important to avoid criminal penalties. This law permits other people to create Native-inspired works, but they cannot be labeled as Indigenous works if exhibited, shared, or sold.

A booth at the center of the Plaza had staff members available to explain the Indian Arts and Crafts Act. Photo by Jim Schunr.

For example, a Native instructor can teach a non-Indigenous person to create a work of pottery. Even if this Native-inspired work perfectly resembles a traditional piece, it cannot legally be considered as "Indian made."

Booths along Washington Avenue extended northward to the Santa Fe Public Library. Photo by Jim Schnur.

In another example, a member of a federally-recognized Tribe or Pueblo may use non-traditional materials (such as commercially created glass beads) or employ newer techniques (such as digital photography) to create their works. In these cases, even if the materials or techniques are not traditional, they remain "Indian made" based upon the status of the creator.

Crowds along Palace Avenue, near the New Mexico Museum of Art. Photo by Jim Schnur.

Another sign of authenticity that many guests appreciated at the Santa Fe Indian Fair came in the form of the numerous food vendors lined along Sheridan Avenue, adjacent to the New Mexico Museum of Art. Fry bread, Indian tacos, green chile stew, and other New Mexican-themed Native dishes were sold by members of nearby Pueblos.

Long lines formed near each of the Native food vendors' carts. Photo by Jim Schnur.

Proud Performances

Performers of the Native American Hoop Dance in the Santa Fe Plaza. Photo by Jim Schnur.

In addition to visiting with the vendors, guests at the Santa Fe Indian Market enjoyed a variety of performances. These included Native dances at all four corners of the Plaza, as well as at other intersections in downtown Santa Fe. The permanent stage within the Plaza also had a variety of performances throughout the day.

An impromptu performance by a female dancer along Lincoln Avenue. Photo by Jim Schnur.



Dancers and drummers at the intersection of Lincoln and Palace, near the Santa Fe Plaza and the Palace of the Governors, the heart of the city. Photos by Jim Schnur.

Dancers performing a few blocks from Santa Fe Plaza. Photo by Jim Schnur.


Musicians and dancers in the Plaza. Photos by Jim Schnur.



Large crowds enjoyed the Native American Hoop Dances that celebrated interconnectedness in life. Photos by Jim Schnur.

Sacred Spaces, Shared Spaces

Indigenous peoples from outside of New Mexico made up a large number of attendees. Photo by Jim Schnur

Since the arrival of the first Spanish to the region more than 400 years ago, a complex social structure has developed between the Indigenous populations, Nuevomexicanos, and later settlers. By the time of statehood in 1912, residents of many Pueblos had adapted written languages and participated in some levels of integration. However, some Native peoples continue to embrace strong traditional roots, including an oral language without written words.

Tribal and Pueblo art from throughout the Americas on display. Photo by Jim Schnur.

In addition to English and Spanish, many Native languages could be heard at the Santa Fe Indian Market. Pueblos throughout New Mexico strongly encourage children to learn ancestral languages. 

Cultural exchange went in all directions. Spaniards who settled in this once isolated area developed a New Mexican Spanish that incorporated words and dialects borrowed from the Pueblos. Art forms also incorporated elements of settlers of ancetral Pueblos as well as later arrivals. 

The Palace of the Governors site has served as a cultural meeting place for more than 400 years. Photo by Jim Schnur.

One of the most sacred spaces in New Mexico is the covered southern side of the Palace of the Governors. This adobe structure and its antecedents first served as the seat of government for Nuevo Mexico in the early 1600s. 


An eastward view along Palace Avenue in front of the Palace of the Governors, immediately north of the Plaza. Photos by Jim Schnur.

Throughout the year, rain or shine, sun or snow, Indigenous artists display and sell jewelry and other crafts at this location. Located immediately north of the Plaza, the Palace of the Governors hosted vendors during the Santa Fe Indian Market at a familiar location. 

Some booths focused on Indigenous rights and the desecration of sacred sites. Photo by Jim Schnur.

In 1867, an obelisk was erected in the heart of the Santa Fe Plaza. Known as the Soldiers' Monument, this structure celebrated American victory in the U.S. Civil War. A territory of the United States since 1848, New Mexico experienced some skirmishes between Union and Confederate forces during the early 1860s.

A view of the Soldiers' Monoment base in the Plaza during February. Photo by Jim Schnur.

The obelisk no longer sits atop the square base (plinth). The panel on the north side of the plinth, the one facing the stage and the Palace of the Governors, has been damaged on numerous occasions due to the strongly racist message placed upon it in the late 1860s.

A "savage" message from the 1860s removed from the center of the Plaza. Photo by Jim Schnur.

At one time, this panel expressed dedication "TO THE HEROES WHO HAVE FALLEN IN THE VARIOUS BATTLES WITH SAVAGE INDIANS IN THE TERRITORY OF NEW MEXICO." Throughout the year, Native performers and musicians gather at this spot to reclaim this space and share their cultural treasures and talents.

An Experience to Enjoy

Booths in front of the Museum of Contemporary Native Arts. Photo by Jim Schnur.

The outdoor Santa Fe Indian Market is a great way to experience Indigenous crafts and enjoy a summertime day in one of America's most beautiful cities. No admission is charged to visit the market. To add value, both the New Mexico Museum of Art and New Mexico History Museum offered free admission.

Vendors and artists in Cathedral Park. Photo by Jim Schnur.



Crowds along San Francisco Street immediately south of Santa Fe Plaza. Photos by Jim Schnur.

This annual event in August allows attendees to appreciate the longstanding traditions woven together into the cultural fabric of New Mexico, a place that celebrates the diversity of the people who call it home.


Attendees enjoying a Saturday afternoon in Santa Fe. Photos by Jim Schnur.


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